Saule
is a Lithuanian and Latvian bringer of light and sun starting on winter
solstice. Her sleigh was always shown as
pulled by a horned reindeer. She is one
who had wept golden tears and those tears became amber pebbles that she throws
out over the wintry skies as she rides.
Each pebble is a bit of sunshine.
She was also the spinning goddess whose spinning crated rays of sunshine
that strobe through the winter skies.
Saule ruled all parts of life,
determining life, death and the well-being and regeneration of all. She
was the sun, riding every day in Her chariot across the sky. She also welcomed
the souls of the recently departed into Her apple tree in the west.
In
this painting, I begin with drawing a quick rough round face shape with
triangles for what will be sun's rays. I
block in some color just to get started.
Next,
I begin getting some dark outlining and shadowing
I have a sense that,
if I just let ugly be ugly fir a time, it will, eventually start to make
artistic sense.
Suddenly,
Muse decides, because I am not taking credit for this, lol, that all should
have a yellow under glow. Now things start to take on a totally different way
than I thought at my beginning. The
positive of this is that I now have a sealer for the paper because I feel a
sense of scrubbing going to happen as I begin the next layers. I let this dry, totally, and naturally. ( I
have found that drying with air, to hurry things, seems to do something to the
plastic in acrylics.)
Now
I know my palette. Doing any painting
takes patience in layer after layer work.
(Why I needed a good sealing background color on my art journal page.) Layers need to be thin and partially
transparent. I am using a soft bristle
half-inch, oval brush to do circular brushing of color I am mixing from my
palette.
My
palette holds Orange Spice, Berry Wine Bordeaux, and Whisper paint, and cadmium
yellow colors. I will only be using
these for now. I may need, of course, a
darker one at the end for details.
Now
I need to define the eyes, nose, mouth and cheeks. I see I have not made the cheeks equal, so I
use some of the berry and begin to fix that.
I would usually think I ruined things, but I press on. I water down the berry mix on my palette a
bit to soften up edges.
NOTE: The line around the top of the eye needs to
curve down past the lower lid line at the outside corners. This is the same for nostrils, and for top
lip line.
Next,
I begin to set down some face color again. Mixing Berry with the rest of the
colors on my palette helped me redefine the face a bit more.
Watering
down my brush and daubing my brushes on paper towel, I tend to have a glaze
that starts to highlight the cheeks, chin and forehead. Remember that the space up to the nose shadow
needs to be light as well. The shadow
under and just on bottom ball of nose needs to be slightly darker. I now leave the face and begin work on the
sunshine halo.
Using
Fine Artist Quality Bronze, I begin layering down color to redefine the cheeks,
as well.
Now
I am going back to the face to add in some darks. At this point I add a drop of black to my
palette and I will mix it with Berry to get the deepest colors. I used an eyeliner brush to get finer lines. As well, I have added some gold triangles to get rays.
With
a few touch-ups, smoothening, and some dots with Sharpie gold pen, I am at a
place where I feel satisfied. Meet my
Saule.
Now
to go spread some sunshine!
©Carol
Desjarlais 1.3.20
I love this Carol ... she is so 'sunny' and inspires happiness. Thank you for sharing her.
ReplyDeleteYou are welcome. The next few days, I am finishing off what I did in January while I was gone from home.
ReplyDelete